CAMERAS:
RED ONE 4k Digital Camera
Panavison (Genesis HD, XL2, PFX)
Arri Film Cameras (535B, 35 BL4, 35 BL3,435 ES)
Arri Super 16mm Cameras
Arri Super 8 Cameras
Panasonic Cameras (Vari-Cam, HDX, HPX, HVX, DVX)
Redrock M2 Encore 35mm adapter

LENSES:
Primo Prime Lenses
Zeiss Lenses (Various)
Cooke Lenses
Various Wide and Zoom angle Lenses
Filters

SUPPORT SYSTEMS:
Arri MK2 Geared Head
Gearnex Geared Head
Cartoni Tripod System
O' Connor Tripod System
Bogen Monfrotto Tripod System
Matthews Car Mount
SuperGrip Suction Cup Car Mount
Jib Crane System
Matthews Doorway Dolly
Indy Dolly System
GlideCam System
Spider Dolly System
Handheld Rigs

LIGHTING:
Arri Lights (Tungsten, HMI, CDM, HID, LED)
Altman Lights (Tungsten, HMI, CDM, HID, LED)
Kino Flo Lighting System
Various Flags
Various Grip Equipment

SOUND:
Sennheiser Sound Equipment
Boom Pole Mics
Wireless Mics
Deneke Timecode Slate (Sync Sound)

EDITING:
Blackmagic Multibridge Pro / Mac System with
Final Cut Studio 2 & 3 with playback color
corrected monitors.
Adobe After Effects/Photoshop Suite
Shake Suite
Maya CGI Suite
Blue Screen/Green Screen Applications
VFX Applications
Color Grating Applications
Protools/Logic Station

MUSIC PRODUCTION:
CONSOLE: SSL G Modified with custom
Gryphon Discrete Class A Preamp to monitor
console mix buss.

PROTOOLS:
New HD system with 48
Converters with MacPro Computers.

TAPE MACHINES:
2-Studor A820 24 track,
Studor 820 2 Track, Tascam 24 bit DAT Player,
HHB CD-Burner, 2 Tascam 122 Cassette decks.

OUTBOARDS EQ’S:
12-Neve 1081, 8-Neve
1073, 2-Neve 1079, 2-Past EQ’s, 2 Summit EQ’s,
Massenburger 8200 Stereo Mastering EQ’s,
2 Manely EQP1, 2-Pultec EQH-2, Focusrite 415
Stereo EQ, 6-API 550A, 2-API560A Graphic EQ’s,
2 API 560B Graphic EQ’s.

MIC PRE’S:
2-FM Acoustics M-1 Mic Pre, Martech MSS-10 Pre,
12-Focusrite Blue Remote Controlled Mic Pre.

COMPRESSORS:
2-Neve 2254A, 2-Neve 32264A,
1-Neve 33609 Stereo, 1-Neve 33609 Mono,
1-Alan Smart C2, 2-DBX 160, 2-Tubetech CL1B,
Summit 100A Mono, 2-URIE 1176, DBX 160XT.

OUTBOARD:
Lexicon PCM80 and 70, Yamaha SPX 1000/990/900/90,
SuperPrimetime 2, Primetime 93, 6-PCM 42, AMD
Delay, Publison Inferno 90, Quantec XL, EMT 251/250,
Lexicon 480L, 2-EMT 140, AKD Digital Reverb (Classic)
Drummer Gates.

MONITORS:
Kinoshita 4V Large Monitors mounted in a solid wall of concrete,
Yamaha NS-10, Tannoy 12B, Aurotones, Kinoshita KMV’s Nearfield,
JBL LSR’s.

MICROPHONES:
U87’s, Kleus Heyme Modified U87/U47/C12,
KM84, Sennhiesser 421/441, Beyer M88, EV RE-20,
AKG 451/414EB, Royer 122 Ribbons.

AMPLIFIERS:
2-FM Acoustics 801A Class A Amplifiers,
Crown Microtech 2400, Brystan 4B, Hafler 2400’s.PREAMPS:
Gryphon Sanata Allergro Discrete Preamp.

HEADPHONE SYSTEM:
Manely Separate Q System for headphone mixes in studio.

PHOTOGRAPHY PRODUCTION:
Nikon SLR Cameras
Canon SLR Cameras
Umbrella lights
Softbox Lights
Scenery/Muslin Backgrounds

SET DESIGN:
Basic/Extravagant set design along with special
FX to accommodate various productions